BY JUDI
KOSKI
Rachelle Bergeron's photographic work explores the
possibilities of portraiture and its remarkable potential to
capture a fleeting moment, singular emotion or complex
sentiment.  In her current exhibit of black and white
photos, Bergeron identifies the confident and austere in
subjects who are sometimes aged and thoughtful or youthful and
boisterous.
Bergeron was born and raised in Sudbury, and as a Cambrian
College graphic design graduate, she worked for three years
with a local photographer.  She was so taken by the art of
photography that she opened her own studio at 122 Durham (above
Reg Wilkinson Men's Wear) more than 15 years ago.
"While I obviously prefer the portrait side of my creativity,
such as photographs of family, children, and personal
portraits, I also embrace the commercial side as well," said
Bergeron.  Her work has been published in books and
cultural magazines.  She has also taken photographs for
product promotion, business cards and the like.
Her most recent show at La Galerie du Nouvel-Ontario (GNO) is
very personal to Bergeron because the photographs are of
friends and acquaintances that are special to her.
"What I look for when choosing a subject is not a fashion
thing, it's more a study of interesting people of all ages,
from all walks of life," she said.
"I also like the rawness of these photographs, how they look
with no frames and how the grain of the paper shows through."
Her work uses older technology, and is all shot using film
instead of new digital technology. Bergeron is involved in the
entire process from choosing her subjects, to taking the
photos, to developing the film in her own darkroom.
"This older technology works for me and I'll keep shooting film
as long as I can buy film and developing solution," she said.
She also goes on to say, "It's been a long haul to get to this
point in my career, but I've had a lot of support from both the
French and Anglophone communities. I would also like to thank
GNO for giving me this fantastic opportunity to exhibit my work
and Cheryl Rondeau (curator and artistic advisor) for having
such faith in me."